Recycled Lenin #26 (2026)

Oil on the Found Porcelain Bust
Size: 18.5 × 15x8 cm | 7.2 × 5.9 x 3.1 in

$800

Artwork Details

This artwork is a found original soviet-era porcelain bust of Lenin decorated with oil paint.
It is signed, titled, and dated on the bottom.

Shipping

Ships with EMS (Express Mail Service) worldwide.
All works of art are carefully packed and can be tracked online. Original artworks and mounted prints are shipped in a wooden crate. Unmounted paintings and prints are shipped in a dent-resistant tube.
Shipping times vary depending on the destination country but usually take between two and three weeks. Please allow for these up to 5 business days of preparation and packaging time before the artwork is shipped out.

PLEASE NOTE: The buyer will be responsible for paying international customs fees, determined by the country in which the artwork is being shipped to. Please check with your country's customs office to determine what these additional costs will be prior to making a purchase.

Certificate of Authenticity

Each piece you purchase will come with a certificate of authenticity, a signed document proving the authenticity of the work and containing details about the artwork for your reference.

About the Artwork

Recycled Lenin #26 reclaims a Soviet-era porcelain bust of Vladimir Lenin and transforms it through a dense constellation of vivid, hand-painted forms. By covering the sculpture’s severe and authoritative image with playful color, I disrupt the visual language of propaganda and strip the object of its original ideological authority. What once projected certainty, discipline, and control becomes fragmented, vulnerable, and open to reinterpretation.

For Ukrainians like myself, Lenin is inseparable from the history of Soviet occupation, repression, and the attempted erasure of national identity. His image was reproduced for decades as a symbol of unquestionable power, embedded into everyday life through statues, portraits, and political ritual. Although many Soviet symbols have disappeared from public space, the legacy of imperial violence and authoritarian thinking continues to shape the present. Through this work, I confront that history not by preserving the symbol intact, but by transforming it into something unstable and deeply personal.

The colorful marks function simultaneously as camouflage, contamination, celebration, and healing. They obscure the dictator’s gaze while exposing the fragility of the myth surrounding him. I am interested in the tension between visual pleasure and historical trauma — how bright color and playful abstraction can become tools of resistance against systems once designed to suppress individuality and freedom.

By repainting a found Soviet object by hand, I symbolically reclaim ownership over a painful historical narrative. In this series, recycling becomes both a political and personal act: a way of converting relics of oppression into contemporary objects that speak about memory, resilience, and liberation. Through art, I seek to neutralize the power these symbols once carried and transform them into spaces for reflection rather than obedience.

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