Pixels (2024)

The canvas is mounted on a supported wooden frame and sold ready to hang.
The painting is not framed. The edges of the artwork are painted.
It is signed, titled, and dated on the back.

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Original paintings are shipped in sturdy protective cardboard packaging. Limited edition prints are shipped flat or in a dent-resistant tube, depending on their size and format.

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Each piece you purchase will come with a certificate of authenticity, a signed document proving the authenticity of the work and containing details about the artwork for your reference.

This work explores the interplay between the male body, contemporary digital culture, and identity within the discourse of gay art. The back and thighs are depicted in a tense yet vulnerable posture, symbolizing both strength and openness, challenging traditional notions of masculinity.

The grayscale inversion emphasizes detachment and alienation, while the neon yellow-green underwear disrupts the restraint of the composition, standing as a protest against the suppression of sexual freedom. It calls for the rejection of shame and the embrace of one’s body and sexuality.

The colorful pixel-like squares over the image evoke the digital age’s fragmentation of the body, reducing it to an object for consumption. At the same time, they allude to censorship, referencing the historical stigmatization of male nudity, especially in the context of queer identity.

This painting is more than an homage to the beauty of the male form—it is a critique of how society constructs, distorts, and consumes that beauty. It urges the viewer to look beyond the pixels and see the human being—unique, vulnerable, and defiant against lingering taboos surrounding male bodies and homoerotic aesthetics in art.