Composition No. 1 (2026)

The canvas is stretched on a wooden stretcher frame and is ready to hang. The painting is unframed, and the edges of the canvas are painted. Signed, titled, and dated on the reverse.

Worldwide shipping from my studio in Germany is included in the price.

Artworks are carefully packed using professional protective materials to ensure they arrive safely. All shipments include online tracking.

Original paintings are shipped in sturdy protective cardboard packaging. Limited edition prints are shipped flat or in a dent-resistant tube, depending on their size and format.

Shipping times vary depending on the destination but are typically between 5–15 business days after dispatch. Please allow up to 5 business days for preparation and packing before your order is shipped.

Please note that international orders may be subject to customs duties, import taxes, or other fees determined by the destination country. Any such charges are the responsibility of the buyer.

Each piece you purchase will come with a certificate of authenticity, a signed document proving the authenticity of the work and containing details about the artwork for your reference.

Composition No. 1 marks the beginning of a new series of abstract paintings in which I return to my earlier experiments with abstraction, this time exploring it as a more systematic direction in my artistic practice.

Moving beyond recognizable subjects, I shift my attention to the relationships between color, form, texture, and movement. Fragmented shapes, sharp diagonals, and expressive brushstrokes create a dynamic composition in which contrasting elements collide, overlap, and interact.

Although the painting is abstract, its pale, flesh-like forms retain subtle echoes of the human body, establishing a visual connection with my figurative works. These ambiguous forms exist somewhere between recognition and pure abstraction, leaving room for personal associations and interpretations rather than suggesting a fixed meaning.

With this new series, I want to give myself greater freedom to experiment, allowing color, gesture, and composition to become subjects in their own right, independent of narrative or recognizable imagery.