Boys (2025)

The canvas is mounted on a supported wooden frame and sold ready to hang. The painting is not framed. The edges of the artwork are painted. It is signed, titled, and dated on the back.

Ships with EMS (Express Mail Service) worldwide.
All works of art are carefully packed and can be tracked online. Original artworks and mounted prints are shipped in a wooden crate. Unmounted paintings and prints are shipped in a dent-resistant tube.
Shipping times vary depending on the destination country but usually take between two and three weeks. Please allow for these up to 5 business days of preparation and packaging time before the artwork is shipped out.

PLEASE NOTE: The buyer will be responsible for paying international customs fees, determined by the country in which the artwork is being shipped to. Please check with your country's customs office to determine what these additional costs will be prior to making a purchase.

Each piece you purchase will come with a certificate of authenticity, a signed document proving the authenticity of the work and containing details about the artwork for your reference.

“Boys” is my tribute to the revolutionary visual language of Cubism, inspired deeply by the groundbreaking work of Pablo Picasso, yet firmly anchored within the contemporary discourse of queer art. Through geometric forms and fragmented composition, the painting explores the complexities of gay identity in a society still constrained by prejudice and rigid stereotypes.

The characters depicted have faces resembling masks—an intentional metaphor for the protective facades queer individuals often adopt to navigate a hostile social environment. These masks, sharply delineated and solemn, embody the emotional armor worn by many LGBTQ+ individuals to guard their true selves from misunderstanding, judgment, and potential harm. Beneath these masks lies vulnerability, desire, and the authentic self yearning for visibility and acceptance.

With earthy tones and bold, dynamic brushstrokes, “Boys” challenges the viewer to confront both the tension and harmony between hidden identities and outward appearances. It raises questions about the performative nature of masculinity and the strength required to maintain one’s authenticity against societal pressures.

This piece seeks not only to honor the legacy of Cubism but also to enrich the ongoing conversation about the intersection of art, sexuality, and self-expression, advocating for a future where masks are no longer needed and genuine identities can thrive openly and proudly.